Wednesday, March 04, 2009

Congratulations, Zhu Yingxin


Last month Megan Shank selected Zhu Yingxin as our scholarship winner and presented her with the proceeds from the first production of "Impulse." Megan had the wise and generous idea of using proceeds from the play to create a scholarship for a young woman in China working in film or theater.
To quote Megan:
"Zhu Yingxin who is a student writer/director at Shanghai University. Zhu comes from a small city in Heilongjiang (a province in northeast China). Her father is a cop-turned-lawyer. Her mother is a housewife. She is finishing her junior year at the film academy. Zhu has already produced two short films . . . One is called 'Deliver the City' and the other 'The Summer of Wisdom' . . . One won a runner-up award in the shorts category at the Shanghai International Film Festival.
"Zhu says her main aim is to tell stories; she's particularly interested in telling women's stories, though her work would certainly appeal to general audiences. She has already begun her graduate project and is appreciative for the money, which will do much to help her produce what she believes will be her best film yet."
Thank you, Megan, and congratulations Zhu Yingxin.

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Monday, July 28, 2008

Check out one of my photos from Scotland in an online guide to Edinburgh. The photo is of Holyrood Park.

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Thursday, May 22, 2008

Goodbye, Shanghai!



Tonight is our last night in the city. So long, Shanghai, I'll miss you. I spent more than two years in China, including my first year and a half of married life. I made a lot of great friends, had a lot of harrowing adventures, learned a lot of new things, and most importantly, became a little more good-natured, patient, and fearless. And I even got a book out of it.

Starting tomorrow, I'll be living back in my native Los Angeles - stay tuned!

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Saturday, May 03, 2008

NYT Book Review China Issue

This Sunday's New York Times book review is all China. Some links:

Mo Yan's Life and Death Are Wearing Me Out
Jiang Rong's Wolf Totem
Wang Anyi's The Song of Everlasting Sorrow
Yan Lianke's Serve the People!

and a piece of "China's Pop Fiction."

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Sunday, April 06, 2008

Yesterday Dev and I took a three-and-a-half hour train trip to Yiwu, Zhejiang Province, about two hundred miles south of Shanghai. Yiwu is the capital of China's export market. Our hotel was next door to the International Trade City, a ten-million-square-foot center with more than 30,000 stalls displaying wholesale trade samples of almost every imaginable consumer good. The Trade City, in turn, anchors a wider selection of smaller markets and stalls, plus freight companies, customs consults, and other affiliated businesses.

This is the place to find Indian mehndi (henna tattoo) patterns, scissors, inflatable novelty hammers, flashlights, plastic back braces, statues of the Virgin Mary, rain coats, LED signs, hookah pipes, Native American handicrafts, push brooms, fake flowers, Christmas wreaths, and children's backpacks. Yes, and more.

Then we spent a romantic Saturday night at the Aegean Sea Bar in the lobby of the Best Western Hotel in Yiwu, China. Classy.

Check out our
photos here.

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On our trip to Yiwu this weekend, Dev enjoyed a refreshing beer, now "Free From Formaldehyde"!

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Monday, January 28, 2008

Snow in Shanghai

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Wednesday, November 28, 2007





Thanksgiving is over and the Christmas season is upon us! Just a few blocks from Yuyuan Gardens we went strolling in a Christmas wonderland of cheap Chinese holiday decorations. Why are all the Santas playing the saxophone?

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Tuesday, November 27, 2007

China: Two Scenes

1. The pace of change: I dropped off an armload of clothes at the dry cleaners across the street. Passing by a few days later, I saw the same storefront now completely demolished and being rebuilt by a work crew with jack hammers and mallets. The owners were standing in front, powdered white with dry wall dust, handing out clean clothes to their startled customers.

2. Sitting at Costa coffee in the Grand Gateway mall, I was privy to an interchange between a European businessman, a Chinese businessman, and his Chinese translator. The topic? A new Hello Kitty product to be launched in time for the holidays. Out of respect for the harried businessmen, I won't divulge what the new product is, but I got a good look at it as the infuriated European rapped the pink plastic prototype repeatedly on the table, talking rapidly and in a grave voice about deadlines, shipping, price points, with furrowed brow. I have never heard anyone utter the phrase "little fashion kitty" with more seriousness.

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Monday, September 03, 2007

From my food critic diaries, with names superficially changed but broadly hinted at:

My first Shanghai press conference was occasioned by the inclusion of one of Shanghai's top French restaurants, Le Bistro, in the prestigious international dining guide Le Guide, the first restaurant in China to be so featured. The invitation requested that we present at 11:30am "sharp" and in "charming formal" attire. I showed up at precisely 11:30am, rain-sodden and boorishly dressed.

The restaurant interior was transformed into a press room, with rows of chairs facing a podium, video screen, and table of panelists. We were ushered to our seats by a gleaming Chinese Vanna White, elegantly dressed, covered in jewels, with a wide, white smile of shallow, giddy enthusiasm. I complimented her on her necklace. "Tiffanys!" she beamed back, as if saying "Thank you!"

People began to file into their seats, precariously balancing tall glasses of champagne on their knees while fiddling with the translation devices placed on each seat. Waiters stood ready to fill each champagne glass the moment it reached the halfway mark, so what followed floated through a bubbly haze.

Well after noon, the guests were still twisted around in their seats, chatting and pawing through their gifts bags for chocolate samples, fleur-de-lys pins, and leather-bound jump drives inscribed with Le Guide's logo. We were all too busy - and too drunk - to notice a young Chinese boy, shirtless and in full ethnic regalia, take center stage behind a large red drum. He called us to attention with a solo drum performance that echoed in the tiny space with deafening volume. It was appalling. People looked at one another in sheer amazement while he played on and on, looking straight ahead with a look of dead-eyed concentration on his face and perspiration gathering on his upper lip. Then, he stopped, just as suddenly as he begun, with no fanfare at all, and took his drum and left. Vanna White took the stage as if nothing happened, and without so much as a mention of the cacophonous percussion solo that preceded her, began to welcome us all to this very special event.

It was now that the flaws in the translation system became apparent. Our devices could be set to multiple channels, and on the other end of each was a real-time translator squirreled away in a booth somewhere out of sight (and doubtless without champagne). The speeches were in French and in Chinese, with channels for French, Chinese, and English. However, the organizers of the event evidently concluded that French and English were close enough to one another, and therefore most things were translated into either French or English indiscriminately, but not both. Happily, much of the ensuing humor was of the broad variety. One of Le Bistro's two founding chefs flew in from France to make his appearance, absent his twin brother and co-founder. He gave a short and self-important speech about his culinary muses and then sat back down with a smug smile, his legs crossed above a pair of charmingly formal loafers.

There followed a long and self-important speech from a director at Le Guide, in which he tried doggedly to cling to relevance with numerous references to the greatness of France and even to French cooking as "one of the greatest things ever created in the world." I personally hold French cuisine in profound esteem, but that didn't keep me from raising an eyebrow as this small, earnest man pleaded with the crowd to agree that yes, in a certain light, one really might consider French cuisine the absolute pinnacle of all human civilization up to the present moment. Despite his ridiculous speech, he seemed like a genuinely nice man, with a bit of a belly, tiny hands and feet, and a broad, jolly, chinless face. The director accompanied his speech with totally unnecessary Power Point slides. For example, he used the slides to illustrate a sentence like: "One can find extraordinary cuisine on mountain tops [cue picture of a mountain], in vineyards [vineyard], even in wild animal parks [animal]."

The conference continued in this vein, with various and sundry other speeches by Chinese and French officials, until Vanna introduced Mrs. Wang, the owner of the notable Imperial Restaurant in Beijing, an establishment founded by the imperial chefs from the Forbidden City with secret family recipes used to feed the emperor and his court. A second branch was opening here in Shanghai next month and they were using this conference to announce the event.

The old woman stood to speak, dressed as though we interrupted her in the middle of doing her laundry, and addressed her rapt audience. With a long, rambling speech nearly 15 minutes in length, intermittently broadcast in English or French. Nor would she let anyone interrupt her tireless monologue with polite applause. Her speech, as best I can tell, chiefly concerned the fact that she has three sons, all of whom are doctors.

This speech was likewise accompanied by PowerPoint slides. The highlight of the slideshow was the slides that accompanied her discussion of the many celebrities and "very rich people" who frequent her Beijing establishment. This elite group was represented by three photographs of Quentin Tarantino posing with her family - wearing three different shirts, so I suppose he visited Imperial on three separate occasions. These slides completed their timed cycle long before Mrs. Wang wound up her epic speech, so the A/V guy decided to replay them on loop - only each time, the interval between photos was shorter than the time before, so by the end we were watching a diminutive, elderly Chinese woman brag about her successful sons in front of a background of Quentin Tarantino's creepy face flashing like some sort of horrible seizure episode.

Finally, Vanna politely but firmly escorted Mrs. Wang off the stage and the conference was thrown open to questions. As always, everyone asked a question that had nothing to do with anything that had come before, but was instead pointed only at their own narrow interests. A man from Cigar Aficionado magazine inquired whether Le Bistro planned on serving a menu of foods that went well with cigars. A man from an Italian newspaper inquired as to whether Italian recipes would make their way onto the menu. Meanwhile a minor Chinese celebrity struck a series of coy poses in front of the window for photographers who clearly came to see her and not any chef, however world-altering.

Next, we moved on to lunch - it was nearly 2pm by the time we started, and when I left after dessert at 4:00pm, the party showed no signs of winding down. Our printed menus showed Chinese characters, followed by a list of dishes in fine culinary French, followed by what was supposedly English but appeared in many cases to be an almost gibberish string of random Roman letters. I was sandwiched between a Chinese reporter on one hand and a Spanish reporter on the other. The Chinese reporter responded to every glance or query with a profusion of feverish giggles; the Spanish reporter drunkenly pontificated on the differences between the citizens of Barcelona and those of Madrid. The room was terribly overheated and humid, everyone was dizzy with champagne and wine, and needless to say I barely registered the various dishes I was eating, though I can't say I was too impressed by what I remember. The dessert, at least, was a real showstopper - four different variations on cherries - and on that happy note, I stumbled out into the filthy city rain, clutching my tote bag of gifts as I lurched from side to side and tried in vain to hail a taxi.

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Friday, August 24, 2007

When we first moved into our pricey new Shanghai apartment building in 2006, we justified the expense by admiring how neat, clean, and functional everything was.

Then, like Cinderella's various vegetable accoutrements, everything began to vanish at the stroke of midnight, exactly eighteen months after we moved in.

In the last week, our electricity went out. Then our water went out, followed by the water heater. Our air conditioner began pouring water down the walls and onto the sofa. Our shower head fell off. Our water cooler flooded the cabinet on which it rests. The handle on our back door fell off. The pipes refused to drain. The washing machine began to leak, gushing suds all over the kitchen. A light fixture fell from the ceiling in the dining room, then another in the office. The guest bed buckled and collapsed. And then this morning we woke to find the shattered glass remains of a light bulb that exploded in the living room last night while we slept.

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Wednesday, July 18, 2007

The zipper was slowly tearing out of one of my favorite dresses (you can always tell whether a dress is well or cheaply made by how the zipper is set). I tried to sew it myself last night, without a machine, and just made it worse. So today I took it to the dry cleaners across the street, figuring they might also do small repairs. The cleaners were relaxing in their imposingly air-conditioned store along with an older woman and a female parking attendant.

The cleaners - two cheerful and ageless women who recognized me from my last cleaning run - explained that they couldn't do any sewing. The older woman piped up and said that she could easily re-set the zipper. Or at least, I thought that's what she said. She spoke rapidly in a sort of heavily accented Mandarin that veered from time to time back to some other dialect. As I understood it, she explained that she (lived? worked?) nearby and could mend the dress. I assumed she was a tailor, and asked where her shop was so I could bring the dress there. This caused some confusion. Where was her shop? Was there a shop? At last I understood that it was her plan to take the dress with her to the shop while I (waited there? came to pick it up later?)

Before I could really understand what I was agreeing to, she had taken the dress, carefully wrapped it in plastic, tucked it into the basket of the bicycle she'd parked outside, climbed up onto the seat, and taken off. Since I didn't know what else to do, I stood there and smiled stupidly at the two cleaners and the parking attendant.

Ten minutes later, she returned with the dress, perfectly mended. I tried to ask for her store's address, or for her card, but one of the cleaners explained that she was an ayi who was finished with her day's work and was just relaxing in the dry cleaners 'store, enjoying the air conditioning. The cleaner mimed ironing as she said "ayi."

I tried to offer the ayi 20 RMB to thank her, but she would only accept 10. "Ten," everyone in the store repeated, nodding, as though that was the right and obvious fee.

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Wednesday, May 16, 2007



(Aijima Island)

Friends and well-wishers may enjoy these photos from our recent trip to Japan - I've highlighted the best with a tag of the same name. My husband (here looking rather nautical) took the bulk of the photos, and all the good ones.

Japan was a joy despite the many privations of backpacking. Anyone who knows me - and many who do not - can guess I do not care for backpacking. It was my husband's idea, and he's been roundly excoriated since. It's not that I am addicted to fine food and first-class travel - I can and do enjoy low-budget fare, cozy hostels, and public transport. What I do not enjoy is looking like a damn fool. Backpacking is all fine and good in the great outdoors, where tramping around with all your belongings strapped to your being is a necessity. There is nothing more ludicrous than seeing a 30-year-old man amble through the Tokyo subways as though he's mistaken it all for Yosemite.

What troubles me about backpacking - a point I took pains to explicate clearly and repeatedly while wringing out my underlinen in the hostel sink - is that it's entirely artificial. There was no reason at all we had to carry one bag to Tokyo, and no reason to carry that one bag on our backs. It's as utterly arbitrary as deciding we're only allowed to bring things that are red. But having accepted this dubious premise, we were then bound to suffer for it. Intentionally bringing four pairs of socks on a ten-day trip is unforgivable. There I was in one of the world's most fashionable cities looking like it was laundry day at forestry school. I may have been wearing brown hiking boots with black track pants - but as all those photos have been destroyed, we'll never know, will we?

And yet, as I said, we had a wonderful time. We started off in Tokyo, which was every bit as elegant and sophisticated as I'd hoped, and then on to Kyoto and Himeji before we skipped over to Shikoku island. From there, we went to Matsuyama, Hojo, the islands of Kashima and Aijima, and the Kazura Bashi bridge. Shikoku was lovely - it reminded me in many ways of the Pacific Northwest, only even more cool, fresh, and green. True, Aijima Island was full of centipedes - but then, that's what you get when you navigate entirely on a series of cartoon novelty maps.

We hit many of the prime Japan sights, including fish markets, cuteness emporiums, noodle shops, and Harajuku street kids. And, of course, we stayed in a capsule hotel - much more comfortable and pleasant than I would have expected. I'd like to install some sort of space capsule into my apartment. Trip highlights included the incomparable Meiji shrine, the dry garden at Konchi-in, and Kyoto's Kiyomizu-dera temple (a candidate for one of the new seven wonders of the world). And the contraption Dev build to dry our clothes.

Perhaps the thing that most impressed me about Japan was how many extraordinarily kind and helpful people we met in every city and town. No sooner did we open a guide book or look quizzically at a road sign than someone would appear to give directions, offer suggestions, or draw out minutely detailed maps. One old woman even made me some origami animals while we rode the train together - a rabbit and a dachshund.

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1.8

I had just finished putting away my wallet and was walking out of the manicurist's when the receptionist came chasing after me. She grabbed my arm, reached up over her head with a gesture to indicate "tall," then ran into the shop, procured a pen and notepad, ran back out, and held out to me a slip reading "1.8?"

I laughed and wrote back "1.75" with a little drawing of a high-heeled shoe. She smiled, nodded vigorously, and ran back inside to confirm her guess with the other receptionist.

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Tuesday, April 24, 2007

Yesterday was Dev's birthday, and to celebrate we went to the (exhaustively titled) Shanghai Natural Wild Insect Kingdom. Shanghai has two world-class aquariums and a nice zoo, so I had high hopes for the SNWIK.

The SNWIK is fronted by a number of lop-sided, hastily constructed model insects, each about the size of a large dog. Inside, the first room is given over to the pleasing if perplexing combination of ferrets and fish. A small wooden ferret house is filled with a pile of 6-8 sleeping ferrets at the edge of a large, murky koi pond.

Past the fish, you enter the butterfly tunnel - which is, in fact, just a tunnel surmounted by a tangle of netting strewn with dessicated butterfly corpses. The tunnel does boast a parrot, two foxes, and more than a dozen adorable pygmy marmosets; the foxes dining on a meal of dog food, popcorn, shortbread biscuits, and chicken bones. The tunnel reeked of feces.

Past the butterfly tunnel is the "frog area," as well as like areas for snakes, turtles, and lizards. Several reptiles live in a reconstructed cave environment decorated with black construction paper bats like a kindergarten Halloween art project.

Next was the insect area, which I studiously avoided, as I am terribly frightened of insects. On the other hand, perhaps it wouldn't have been so bad, as Dev assures me that many of the cages contained only model insects.

Past the insects was the assortment-of-cute-mammals room, with baby goats, dwarf hamsters, rabbits, chinchillas, squirrels, and more ferrets.

Then, the gift shop, which sold an assortment of insect paperweights and unlicensed rip-off Jurassic Park toys.

So, in short - a world-class educational institution, and a world-class birthday.

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Tuesday, March 06, 2007

I am back from India, with 771 photographs posted here. For those not inclined to view 771 photographs, I have around 40 tagged as "best."

I will also try to write up the trip on this blog soon, but I have a lot of work this week, including writing four or five commercial articles on the same trip. Why give away the cow when you can sell the milk for.... well, you get the idea.

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Sunday, February 18, 2007

Tomorrow Dev and I head off for India. By the time we return, it will be March and, we expect, the end of winter in Shanghai. I have posted a new selection of winter photos on our Flickr page under the heading "Shanghai (Winter 2006)." Highlights include our abusive neighborhood flower vendor, "psychos or drunkards", dueling DVD stores, New Year's decorations for the year of the pig, dog pelts for sale, fireworks, styrofoam transport, brunch, and Dev's back after undergoing cupping.

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Saturday, February 17, 2007

Happy Chinese New Year!



Tonight is New Year's Eve in Shanghai and the view from our windows is amazing. It's 10pm and the entire night sky is lit as bright as afternoon. Fireworks have been set off all over the city continuously now for more than four hours with no signs of slowing down. The streets are littered with firecracker debris smoldering on the sidewalks, and the air is roaring.

Update: I spoke too soon. It's now 12:11am, and I can see now that the fireworks that started this afternoon were only a prelude to the midnight show. I can only compare it to watching a dozen Fourth of July fireworks shows simultaneously, some only a few hundred feet away and others all the way across town, all running non-stop for hours. This video taken from our balcony (without using zoom) doesn't begin to do it justice, but it does give you a sense, at least.

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Sunday, February 11, 2007

I spend a lot of time complaining about Shanghai, so I wanted to take time out to mention something I love about this city. Besides the yams. Yes, the motorcycle taxi.

There is no better way to see the city than on the back of a motorcycle taxi. After nearly a year in Shanghai, I am no stranger to perilous driving, but the motorcycle drivers take peril to an entirely different level: driving against traffic, on sidewalks, and between lanes. On a recent rainy trip, my driver raced another motorcycle through a series of alleyways, cut off a steamroller, and outran a cop. At the ride's end, the driver gave me a 5 RMB discount on our negotiated fare because I was "so brave."

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Monday, February 05, 2007

Jin Jiang Amusement Park



On Saturday Dev and I celebrated the unseasonably warm weather by taking a trip to the Jin Jiang Amusement Park, which we thoroughly enjoyed from top to bottom, from the 10,000 Year Old Camphor Tree Ticket Office to whatever the hell this is.

The haunted house was suffused with the twin horrors of shoddiness and decrepitude, though its soundtrack of screams and moans was less frightening when it was replayed several hundred feet away in the Dinosaur Cavern rollercoaster, this time bouncing off several inert plaster dinosaurs and an exhausted coaster. Like all self-propelled amusements, the Bicycle Monorail was fun for about three minutes, after which it felt like digging your own grave.

But by far, the highlight of the trip was Joyland, Shanghai's answer to Disneyland's Small World ride, one of my childhood's fondest loves. This horrifying replica featured one-armed gnomes, leering anti-Semitic caricatures, and, of course, flagrant trademark infringement.

We were also glad to see that these kids showed up - the exact same loud teenage girl and sullen teenage boy that have stood in line with you at every single amusement park you have ever been to. Including, apparently, in China. Why? For entertainment.

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